A book is a vessel and a vector.
Lisa Radon makes poems, sculptures, performances, sounds, scents, digital worlds, publications, websites, as the proposition requires. She has recently had solo exhibitions at Et al. (San Francisco), Muscle Beach (Portland), Jupiter Woods (London), Portland Institute for Contemporary Art, Pied-à-terre (San Francisco), Ditch Projects (Springfield, OR), and Artspeak (Vancouver, B.C), a two-person show at RONGWRONG (Amsterdam) and read at Wattis Institute for Contemporary Art (San Francisco) as part of A Reading by…. Her books include Wholeness Engine (2017, Jupiter Woods), The Blind Remembrance of the Swirling Bone (2016, Ditch Projects/Artspeak), Infinity Increaser (2014, PICA), The Plumb and The Wave (2014), The Book of Knots (2013, cL_books), and Prototyping Eutopias (2013). Atrium of the Sun (atriumofthesun.com) was commissioned by Disjecta in 2017. Radon edits the journal EIGHTS.