In the most traditional sense, a book is portable, intimate, personal and interactive. Conversely, it can be loud, two-dimensional and off-limits. A book might consist of pages or not and words or images, or neither. As an interactive device, experiencing a book is often a performative act. Some books are highly revered while others are considered dangerous. The versatility of a book is that its sculptural qualities can be exploited in a manner that relays an idea on multiple levels. At its most powerful, the ability to discern the content of a book can bring personal esteem or destruction, incite action, or provide revelation.

—Alisa Banks


Alisa Banks is a visual artist whose work centers on issues concerning identity. Her work, which often references traditional crafts, incorporates fibers, plants, and other found materials. Alisa’s work has been exhibited in venues in the U.S., Canada, England, and Laos, and is housed in several private and public collections, including the U.S. Library of Congress, the Smithsonian Museum, and the New York Public Library. Alisa received her BS from Oklahoma State University and her MFA from Texas Woman’s University. She lives in Dallas, TX.

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